|Subtitle||Species 1207: Study for The Observatory|
|Artist / Creator||Timothy C. Ely|
|Place of Publication||Colfax, WA|
|Image Process||Prepared paper with ink, gouache, pigments and gold|
|Structure / Binding||Single folio drumleaf binding|
|Medium / Materials||The paper is Arches Cover sized with gelatin, wheat starch paste and organic [Prussian blue] pigments, mineral [inorganic] pigments are used for the delineation with some metals, mostly gold and bronze in pigment form. The binding is all adhesives, with a cloth spine and the boards are sided with western papers painted by the artist. Label on the front board ala The Royal Society and housed in a magnetic box|
|Paper Stock||Primarily European papers|
|Number of Pages||One very complex folio plus interlocked endpapers|
|Dimensions (WxHxD)||8.25 x 1.5 x 0.5 inches|
|Edition Size||Unique manuscript book|
|Box / Wrapper||Presented in a clamshell box|
|Signed & Numbered||Yes|
The Observatory is a catapult of ideas that reflect on the nature of time and the history of the Enlightenment and the industrial revolution. During London’s great fire in 1666, many of the optics producers were burnt out of business. The next generation of lens grinders supplying the optical instrument makers of telescopes and microscopes were now working at a far greater level of skill. Engaged in making eyeglasses, the new demands of science drove them to grind with greater precision. Hooke with his microscope and astronomers with Newton’s new reflecting telescope expanded the scope of observation and so experience and experiment gained astonishing momentum. The Observatory is a visual laboratory where forays into the imaginary mind are made real by the measurements of the lens. This book honors such a location and, as a parallel aim, evokes and extends the range of the inner eye.
Artist BioTimothy C. Ely (born February 9, 1949) is a contemporary American painter, graphic artist and craftsman, known for creating single-copy handmade books as art objects. Ely began making his own books at the age of eight; comic books were a major early influence. He earned a B.A. in drawing and printmaking from Western Washington University (1972), and a Master of Fine Arts degree at the University of Washington (1975); he traveled and studied in Great Britain, Italy, and Japan under a grant from the National Endowment for the Arts (1982). He has taught bookbinding and drawing at a number of institutions and venues, from Central America to Scandinavia. His practice of the craft of bookbinding has extended to involve metalworking, leatherworking, woodworking, and related disciplines. He exploits traditional and modern techniques of bewildering variety—even making his own inks from caramelized seaweed. He originated and teaches his "drum leaf" binding, a technique for binding single sheets that is designed to suit paintings, prints and drawings, mounted photographs, and other materials difficult for the standard technology of book-manufacturing. Ely's one-of-a-kind books draw on domains of knowledge and culture, including Western and Eastern religious traditions, astronomy, particle physics, cartography, alchemy, and sacred geometry; they employ graphic elements from skeletal structure, UFOlogy, and the golden ratio. Ely has described his Spectronomicon (2000) as being "about light portals and spectrum energy." Ely's work evokes a range of thematic material: arcane knowledge, secrets and cryptography, time and timelessness. He has developed a private written language using 366 individual signs or "idiographic cyphers". Ely has collaborated with the writers David Abel (Memo 7 and Other Works, 1989) and Terence McKenna (Synesthesia, 1992). He has also illustrated a small number of conventional or commercial projects, such as the Booklover's Repair Kit (2000) by Estelle Ellis, Douglas Lee, and Wilton Wiggins. A selective and far from exhaustive list of Ely's works includes Geotryphinities (1981/3), Alectis Ciliaris: Time Stunt (1981/4), Apocryphon (1984), Tetraplanex Cypher (1985), A Very Small Galaxy (1985), Alternate Sky (1986), The Investigation of Alchemy (1986), Sense 9 (1990), Saturnia (1994), Materia (1995), Amalgam (1996), TXC 144 (2003), Amblygon (2005), Compound 12 (2005), and Tables of Aries (2006). Ely works are included in public and private collections, including The Victoria and Albert Museum and The Library of Congress. Ely currently operates out of Colfax, Washington.