|Title||Sentinels of the Desert|
|Artist / Creator||Laura Russell|
|Press Name||Simply Books, Ltd.|
|Artist's Nationality||United States|
|Place of Publication||Portland, OR|
|Author of Text||Laura Russell|
|Process / Technique||Archival digital printing|
|Number of Images||11 original photographs|
|Structure / Binding||Hedi Kyle's Panorama Book Structure|
|Paper Stock||Mohawk Superfine Cover|
|Number of Pages||Six panels plus covers|
|Dimensions (WxHxD)||4 x 8 x .5 inches (opens to 32 inches)|
|Edition Size||Edition of 25|
|Box / Wrapper||Presented with a chemise and wrapper|
|Signed & Numbered||Signed & Numbered Edition|
To the Tohono O’odham, who have lived in the Sonoran Desert for thousands of years, the Saguaro is an integral part of their culture, regarded with the same respect given to people. The importance of the cactus’ sweet red fruit is reflected in the O’odham calendar, and provides the ceremonial wine used to herald in summer monsoon rains.
This limited-edition artist book uses Hedi Kyle’s Panorama structure presenting two stories of these beloved desert icons. This structure was chosen as a way to present a dynamic visual timeline and as an exploration of the usage of text on what is often a blank back side.
The first side is a visual timeline of the life of the Saguaro, which has an average life span of 150-175 years and can grow as high as a four-story building. Original photos captured at the Saguaro National Park in Tucson, Arizona document the cactus from delicate seeds scattered by coyote scat, to monumental maturity, and then decay and death leaving behind a ribbed wooden skeleton.
The second side features a poem written by the artist, celebrating the majesty and cultural touchstone that is this vital species and worrying over the most serious threats to the Saguaro, and indeed, the desert’s survival.
The poem reads:
Saguaro cactus, majestic symbol,
iconic wonder of the wild west.
Sentient beings, so human-like.
Individual, mortal, somatic, fleshly.
Sentinels of the desert
so beloved, so integral.
Arms raised in triumph,
a symbol of hope.
To the Tohono O’odham people:
legend and lifeline.
A boy in the sand becomes a saguaro.
Sweet red fruit becomes wine
marking a new calendar,
calling for thundering monsoons.
Keystone species, essential as water,
foundation of the Sonoran Desert.
Census-counted, like humans
every decade, citizen scientists
scouring, scouting young pricks
to elder statesman.
Marvels of water storage.
Volume and vastness
ribs doubling in diameter
after a brief spell of rain.
Roots spread wide and shallow
under the surface of the sand
capturing droplets before they
June’s dry heat sizzles and pops.
Bighorn Fire ravages Pima Canyon,
flames shooting down the mountain slopes
and up the sides of Saguaro bodies.
Early estimates: 2000 lost forever.
Lost: a cardinal ecosystem.
Lost: a delicate balance so vital.
Saguaros seem tough,
But they’re fragile,
relying on summer monsoons
and winter rains that prevail here,
arid Arizona, northern Mexico
their only native habitat.
Climate change, drought
human activity, cattle ranching,
concrete urban heat islands
all faulted for the decline of
But perhaps most devastating,
Invasive weeds and grasses
tip the ecological balance,
bringing risk of desert wildfires.
Buffelgrass, native of Africa,
brought to Arizona in the 40’s. Cattle forage.
Thriving in the heat,
highly flammable, burns hot.
Hotter than Saguaros can survive.
A fire-resistant desert now flammable grassland
filling in bare areas
between the Saguaros,
fodder for fire caused by
The math of climate change is simple:
Hotter summers mean a greater
likelihood of wildfire.
Warmer winters mean less chance
for buffelgrass to die back,
I look around,
imagining all these strange
and wonderful desert plants
replaced by grassland, and shudder.
I close my eyes and see
Saguaros exploding into flames.
Laura Russell is a photographer and book artist who creates hand-bound, limited-edition artist books that incorporate photographs of our urban landscape and tell a story about our culture and our communities. She has participated in national and international book arts and fine art exhibitions. Her books are collected by individual collectors and are in major collections at museums, libraries, universities and corporations. Laura is also the founder of 23 Sandy Gallery, a fine art gallery in Portland, 2007-2020, which is now owned and operated by Erin Mickelson.
My goal as an artist is to open our minds to the visual and graphic landscape we look at every day but never really see. If we pay attention, we find that our urban landscape has a story to tell about our culture and our communities. For many years I have photographed vintage neon signs, brick wall ghost signs, graffiti and other examples of language and graphics in our environment. Recently, I have since expanded my photography to our urban social landscape. I use these photographs to create limited edition, hand-bound artist books that are at once a celebration of the vernacular and my own small effort to preserve our social, cultural and commercial landscape.