Title | Ritual Masks |
Subtitle | Disguise & Reveal |
Artist / Creator | Gretchen Treuting |
Press Name | Pi vs. Pie Press |
Artist's Nationality | Costa Rica |
Place of Publication | Alajuela Alajuela |
Publication Date | 2024 |
Author of Text | Gretchen Treuting |
Process / Technique | Inkjet |
Number of Images | 16 |
Structure / Binding | Pages are partially cut to enable overlays and multiple combinations. Cover is a horizontal gate fold |
Medium / Materials | Paper and board stock |
Paper Stock | 230 gsm opalina |
Number of Pages | 15 |
Dimensions (WxHxD) | 6.25 x 7.25 x 0.75 inches. Opens to 30 inches. |
Edition Size | Limited edition of 3 |
Signed & Numbered | Open-ended box |
Ritual Masks by Gretchen Treuting
From Stone Age disguises used in hunting rituals to the nearly ceremonial application of makeup in an Instagram “Influencer” video, human beings have hidden their faces to often reveal something more universal. Masks play a key role in rituals: religious, spiritual and earthly. In war and the declaration of peace. Marking the creation of life, its milestones, and its ending. Masks imbue power, provide protection, invoke ancestors, enhance celebration, highlight rites of passage, enable connection to the animal and spirit worlds. They have even played an unfortunate role in recent political discord. There is a reason that a 9,000 year old mask seen in a museum resonates as strongly as a current satirical Halloween mask. Choosing source material to create these illustrations was almost random, but looking at the vast mask images online gave me surprising insights. This book, designed to combine masks, lets one play with intersections of personal identity and communal human experience.
Artist Bio
Gretchen Treuting started her graphic design career when designers still had to “spec” type for a typographer and hope it would fit. Then desktop publishing changed the field, and she enjoyed the convenience of being able to fine-tune text and headlines herself and create precise vector illustrations. As design migrated completely to the computer, Gretchen missed the hands-on work. Fortunately, she discovered book art and could incorporate her typography and illustrations into the delightful world of handmade books. She could return to x-acto knives, thread, glue, inks, folding, and the feel of papers and book cloth. Gretchen’s work explores unusual themes because she is also a recovering philosophy major and retired math teacher. Her books have been exhibited in San Francisco, New York City, Denver, and Minneapolis. She now lives in Costa Rica and has introduced artist books to ex-pats there through presentations and workshops. Website: gretchentreutingart.com