Title | If I take my hat off, who am I? |
Artist / Creator | Hellen Colman |
Press Name | Hellen Colman |
Artist's Nationality | United States |
Place of Publication | Chicago IL |
Publication Date | 2024 |
Process / Technique | Archival pigment prints on handmade paper, Letterpress text |
Number of Images | 24 |
Structure / Binding | Accordion variation binding with naturally dyed silk spine |
Medium / Materials | Photography, letterpress, papermaking, natural dyeing / handmade paper, linen, silk |
Paper Stock | All papers are handmade by the author. Paper fibers: mulberry, hosta, milkweed, linden, daylily, abaca, cotton. Pulled western and eastern style. Dyestuff: quebracho colorado |
Number of Pages | 24 |
Dimensions (WxHxD) | 8 x 8 x 2 inches. Opens to 82 inches. |
Edition Size | Limited edition of 10 + 1 deluxe (shown here) |
Box / Wrapper | Hexagonal hat box |
Signed & Numbered | Signed and numbered edition |
If I take my hat off, who am I? by Hellen Colman
Hats have played significant roles in ritualistic practices throughout history. Hats are worn as part of rites to signify devotion or respect. They are present in activities that structure the lives of communities and reaffirm the identity of those who practice them. Rituals surrounding hats reinforce community values and individual milestones.
This book questions signifiers that constitute the self exploring the multifaceted nature of identity.
I've been protected by a hat, I've been made special, I've been concealed, hidden, I disappeared in a hat. The hat is a vessel to carry all my ever-changing range of alter-egos.
Photography, performance, and hats are used to capture different sides of a persona, at once posing the question of who we are while providing an uncertain answer involving simultaneous realities and more than one truth. Multiple are surrogates for an unattainable truth. I am the unreliable narrator of my own story seeking perhaps a definition of my self.
Each of the pages of this book is a unique round paper made with local plant fibers, as well as abaca and cotton. Each photograph floats on the idiosyncrasy of the chosen fiber - at times acting as a complement, at times as a counterpoint. Photographs expose moments of transformation with and without a hat. As life flows and events unravel and overlap, so the images swirl, twist and reposition creating new renderings and meanings allowed by the modified accordion binding structure with a flexible silk spine. The repetition of self portraits against the disparity of fibers reveals a narrative that is at once unified and fragmented.
The book is housed in an hexagonal box reminiscent of a hatbox covered by linen and mulberry paper naturally dyed with quebracho Colorado.
Artist Bio
Chicago-based photographer primary working on artists’ books. While she uses a variety of media including photography and printmaking, is only in the book format where her story finds its wholeness. Her work spans several media striving to construct alternative languages to express the sentiment. Her process incorporates design, bookbinding and paper making. Her source of inspiration includes social injustice and its sequels in personal life stories. Immigration and displacement issues are explored as well as the suffering that human beings inflict on one another. The construction of truth and the power of language is a central theme in her work. She is also a mathematician. Originally from Montevideo, Uruguay, she received her PhD from the University of Santiago de Compostela, Spain. Hellen also holds a Certificate in Painting from the School of the Art Institute of Chicago (SAIC) and has been exploring book arts for the last 20 years. Her work has been exhibited at the School of the Art Institute, her photographs won awards at Photo Latitude and Filter Photo in Chicago and her artists’ books are in public and private collections, including the Joan Flasch Artists’ Book Collection at the School of the Art Institute, the Savannah College of Art Design and the University of Colorado's Rare & Distinctive Collections.